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Posts Tagged ‘gear’

Get TriggerHappy

March 12, 2012 8 comments

We love photo gear and bet you do, too.

But sometimes just loving isn’t enough. Sometimes you take matters into your own hands because it’s fun, educational, and fills a photo niche.

Remote Tether Your dSLR to Your Smartphone

SmugIntern Kevin Harrington came to us years ago with little but a burning passion for photography. We’re sad that he’s all grown up, now. But somehow, between his Frankencam, mountain biking and morning classes, he’s found time to create the TriggerHappy Camera Remote and put it up on Kickstarter:

This idea totally toasts our bagels. You get one cable and an iPhone or Android app to control your dSLR on the go.

Why is it better?

It’s easier. Simpler. More versatile. And who doesn’t already do it all on their smartphone?

You can:

  • Fire the shutter (duh!)
  • Throw it into bulb mode for suuuuuuuper long star trails.
  • Bracket for HDRs.
  • Bramping. AKA “bulb ramping” for time-lapses when the light varies.

Swing by their website here to see all the details!

Pledge $5 by May 4th

Intervalometers are so passe, but TriggerHappy needs to raise $25,000 by Friday, May 4th, to launch. We know they can do it. We know you want one.

Go here and pledge $5 or more to make it happen! Pledge at least $50 and get yours hot off the press.

Don’t you want to spend your summer taking epic pictures? :)

Categories: Current Events

Say Cheese! A Fun Friday Giveaway from Photojojo

February 17, 2012 939 comments

Hey happy snappers! It’s Fun Photo Friday and we thought we’d do some Random Acts of Giveaways with our pals over at Photojojo.

If you aren’t already phamiliar… er, familiar with their great photo doodads and gadgets in their shop, you haven’t lived yet. Their carefully curated selection is guaranteed to make even the most serious photojournalist crack a smile.

Introducing the Ring Flash

Today they’re giving away the fashion photog’s dream toy: The Ring Flash, which turns your existing off-camera strobe into a glamorous party trick.

Hand model not included. (Sorry!)

Feast your eyes on that perfect, even lighting.

It

Here’s how to win yours

Ready to be the life of the party?

1. ‘Like’ SmugMug’s Facebook page HERE.
2. ‘Like’ Photojojo’s Facebook page HERE.
3. Comment below with a link to one of your pics that you think needs a little lighting help.

We’ll tag a random winner on Friday, February 24, 2012. They’ll get a chance to blind all their favorite pals/coworkers/neighbors with their brand new toy.

…. AND they’ll also win a free 11×14 float-mounted print 11×14 MetalPrint* from SmugMug. Because as the saying goes, keep your friends close and the embarrassing pictures of them even closer. :)

Happy flashing!

HOORAY, UPDATE: It’s time to announce the winner and from our hat we drew…. Mimi Thai! Congrats, Mimi and we hope you love your new Ring Flash! Keep your eyes peeled for a note from us breaking the good news.

* We just thought we’d up the ante to MetalPrints (value $50) cuz they’re awesome. And you guys rock.

Categories: Contest

BYOC: Lighting Tips and a Kiboko 30L Backpack Giveaway from Andy Biggs

February 12, 2012 16 comments

Streams of light illuminating motes of hoof-churned dust. Storm clouds swirling over the Serengeti. As photographers, don’t we all dream about that? Please welcome guest blogger Andy Biggs, founder of Gura Gear,  African Safari leader extraordinaire, and SmugMug Pro. Gura Gear’s Kiboko backpack was inspired by Andy schlepping his gear thousands of hard miles trekking to the ends of the Earth. In it you’ll discover oodles of thoughtfully designed, photography-smart details to carry your cargo. Check it out here, and keep reading to find out how you can win your own to keep your gear safe on your next adventure.

Making The Most Out Of The Light

By Andy Biggs

When we think of dramatic photographs we often think of brilliant sunsets, saturated colors and a sun that hugs the horizon. Emotionally speaking I think many photographers are looking for those kinds of in-your-face lighting situations. Well, I have to say that much of the time we as nature photographers have to deal with lighting situations that are less than ideal. Ok, most of the time lighting is sub-par, or at least not what we are expecting. Here are some ideas on how to think about your photography in a different way, and how to come home with photographs that still stir the soul.

Let’s be honest. How many times have you gone outside with the intention of going to your favorite location, wait for a long while for sunset and then realize that the light didn’t meet your expectations? This happens to me when I am out on safari on a daily basis. It is something that I just have to deal with. What to do? The best approach is to accentuate the good things and try to eliminate the negative things.

Skip the Sky

Case in point. When the sky is overcast, grey or just not exciting, don’t include it in your photograph. As a wildlife photographer, that means that I might point my lens down more to include more of my subject and less of the sky. I also will use a longer lens that will include less of the environment. The photograph is more about the main subject than anything else, so I will go for a tighter shot than I would normally want.

As a general note, when I compose a scene I like to think of the potential photograph as a game: I attribute a plus, neutral or minus to various elements in a scene. My goal is to eliminate the minuses and accentuate the positives. The neutrals are just there because they have to be there. I use my shooting position, focal length and shooting angle as my variables to get all of the best pluses into the scene and to leave all of the negatives out.

Shoot Portraits

Because the sky is overcast, this means that the light that is falling on my subject is soft. Think of the light as if it is coming from the largest soft box on earth. There is a rule of thumb with lighting: the larger the light source, the softer the light. Well, a cloudy day will yield a very pleasing and flattering light, which will help accentuate colors.

Exploit Texture and Motion

Another approach that I use is to blow out the sky and turn my image into a black and white photograph. When a sky is mostly grey and has no definition in the clouds, it is very easy to overexpose and blow the skies out. This doesn’t always work for color photographs, but it is a great technique for B&W images. You end up with a high-key lighting situation, and it makes it easy to draw attention to what matters most: your subject.

I find that marginal lighting allows me to get creative with shots that have a very low success rate. When the sun has gone away for the day, or when it goes behind a cloud, I seek out pockets of soft light that work for blurred panning shots. I slow my shutter speed down and experiment with about any subject that can be found.

Harsh Light

Midday light can also be challenging, because the light that is directly overhead can create harsh shadows that have a distinct clue color cast to them. Rather than compete with the light, I find that by avoiding the direct light I can get some decent images. One type of example would be a leopard who is in a tree. I can end up with soft light on my subject’s face and body, due to the shade of a tree, and still get an image that I am happy with.

In Summary:

Spend your time thinking about how you are going to use marginal light to your benefit, as opposed to letting it take control over you. Photography literally means ‘writing with light’, and you will never be able to photograph without light. Use the lighting situation to your advantage and you will find yourself coming home with images that you are happy with, even though you had not though of those types of images before.

Remember to use what you have, and use it wisely. Be flexible with how you approach your photography, and don’t go out looking for only one kind of shot, because the light may not be what you want it to be.

 

Enter to Win a Kiboko 30L Bag Loaded with Photo Goodies

 

(This giveaway is now closed. Keep reading to see which lucky folks won big.)

The Kiboko 30L is a magnificent bag, designed by photographers for photographers. It’s lightweight (only 4 lbs), durable, and features a butterfly opening, allowing for unique customizable configurations for long lenses and multiple SLR bodies. The newest incarnation features a removable waist belt and fewer zippers for snag-free travel. In fact, SmugMug’s very own In House Pro, Andy Williams, swears by it. What more could you possibly want?

Here’s how to get yours:

  • Step one. Visit our sweepstakes page on Facebook.
  • Step two. ‘Like’ the page.
  • Step three. Answer the questions on the page.

That’s it! We’ll announce the winners on April 30, so stay tuned and come back.

Here’s the juicy prize list:

  • Grand Prize: 1 Kiboko 30L backpack ($429.00 value); 2 free years of SmugMug Pro ($300 value); 1 Monocular ($349.99 value); 1 Really Right Stuff TVC-24 Versa Tripod ($910.00 value), 1 Really Right Stuff BH-55 ($375  value)
  • 1st Runner Ups: 1 free year of SmugMug Pro and $75 Gift Certificate to Gura Gear
  • 2nd Runner Up: 1 free year of SmugMug Pro and $50 Gift Certificate to Gura Gear

_________________________

UPDATE: WINNERS!

Thanks to everyone who entered our Gura Gear giveaway.  We shuffled, tossed, and mixed up all the entries and randomly picked the following winners:

Grand Prize Winner: Randy Ellen

1st Runner Up: Shawn Kinney

2nd Runner Up: Osman Ullah

Just cuz’ we love ya, we also randomly picked 20 people to win Smuggy T-shirts. The lucky folks are: Radu Margarint, Kevin Whitehead, Larry Johnston, Kristine Philipp, Lamar Smith, Ken Holmes, Chris Holtmeier, Janet Wheeland, George Rodriguuz, Christine Ruffo, Kris Dome, Kathy Brundage, Zach Blackwood, Brittany Ann Spriggs, Wendy Peterson, Jamie Raddatz, Peter Williams, Joe Sterne, Joseph Orchard, and Jim Sylvain. Congratulations everyone! We’ll get in touch with you by email this week.

If you didn’t win this time, take heart. We have many more giveaways coming up for all Smuggers.

_________________________

Have Bag, Will Travel

Categories: Contest, photography, Travel

What’s in Your Bag? with Landscape and Street Shooter Andy Williams

April 13, 2011 575 comments

Do you know all those times when you’re out shooting and you run into another photographer? You sneak glances at their gear to see if they measure up to what you’ve got (or because you covet thy neighbor’s glass.) Don’t worry, we all do it!

Now we’re letting you do it shamelessly and without fear of getting caught. Let’s see what SmugMug’s House Pro Andy Williams of Moon River Photography puts in his bag. Read all the way to the bottom — you may just win something…

I’ve owned lots of gear, but my collection has actually shrunk over the years and now I only keep and carry what I actually use.

Bag

Let’s start with the bag itself.  For years and years, I’ve been using the Crumpler Farmer’s Double and I still love it.  It’s my bag of choice for a day trip or short outing. Look for it used, because Crumpler doesn’t make it anymore. :)

Crumpler Farmer's Double

For longer trips, I’ve recently settled on the Kiboko bag from Andy Biggs’ Gura Gear.  I’ve had the opportunity to try a whole lot of bags – top of the line models from Lowepro, Crumpler, Tenba and Think Tank – and I chose the Gura Gear bag:

It’s super light, made from the same fabric used in America’s Cup sailboat sails!  It’s less than half the weight of the big bags from the other guys, and when you carry it all day that makes a big difference. It holds plenty: two bodies, plenty of glass, accessories and more.  You can even put a 500mm f/4 in it!

The suspension system is awesome, it rides well, and you feel like you’re carrying much less weight than you actually have.  And, it hides when you don’t want to use it.  This bag will easily swallow up 35lbs of gear with room to spare. Everything about this bag screams attention to detail – the way the suspension system tucks away out of sight when you’re not using it, the built-in raincover, the zipper pulls that are glove-friendly. They’re out of stock most everywhere right now, but Andy Biggs assures me that he’s got some really cool stuff in store for his fans really soon.

Tripod

As a landscaper, this is without a doubt one of the most important pieces of gear I own.  I recently started using the newest carbon-fiber kit from Really Right Stuff, their TVC-23. Expensive? Yup. But the stability of this rig just can’t be matched by any tripod I’ve used (including the top of the line Gitzos). It’s super strong and super lightweight at only 3lbs.  I pair this tripod with the Really Right Stuff BH-40 ballhead which also supports the lenses that I use regularly (up to 300mm).  I do own the larger RRS BH-55 ballhead for when I need to support a 400mm or 500mm lens. For years, I was using the Gitzo 2530, and what I like about the new RRS ‘pods is their stability, and the way the head comes together with its “Apex Lock” system. It is without a doubt the sturdiest, lightest tripod I’ve ever owned.

For traveling, and lightweight (like backpacking), I also have the Gitzo 1541 and a RRS BH-30 which is a super lightweight combo!  I shoot lots of panoramas, and so a very important piece of my kit is the Really Right Stuff Pano Head, which I use for stitched panos in the landscape.

Glass!

I admit I’m a bit of a glass snob. I’ll use primes when I can, but I do love a couple of zooms I own.  Let’s go from small to big.

  • First off, the Tokina 10-17mm fisheye zoom – super ultrawide on the full-frame 5DII and for really fun landscape videos on the 7D.  Sharp and reliable!  But… I do have my eye on Canon’s newly announced 8-15mm fisheye zoom though, and expect to be shooting with it this summer.
  • Canon’s 24 f/1.4L Mark II – a fantastically sharp wide angle lens, I’m so in love with this glass that I gave up the supremely sharp Zeiss 21mm f/2.8 for it!
  • For all-around use, I have one of the very first copies of Canon’s 24-105L and it’s a workhorse lens for me.  If I’m out for a day and I can’t take a lot of glass, I’ll grab this.
  • For portraits, I have a couple of excellent choices: Canon’s 50 f/1.2L and Canon’s 135 f/2L. Given enough room, I love shooting portraits with the 135L, it’s one of the sharpest lenses ever, bar-none.  Love the 50mm 1.2 for it’s ginormous lens opening – and it’s my go-to lens for extreme low-light work.
  • More reach?  I’m not the first guy to say that Canon’s 70-200 f/2.8L IS Mark II is a favorite.  I own it, have owned the prior model, and won’t ever be without it.  Super sharp, great IS so you can shoot in low-light when needed.  Fast on the AF.  And yeah, I use it in the landscape, too.
  • Recently, I’ve been using Canon’s newest zoom, 70-300 L IS. It’s not fast (f/5.6 at the long end) but boy is it sharp and what a convenient little package.
  • If  you’re wondering about birds and wildlife: I don’t own really long glass but when I need it, I usually rent a 500mm f/4L or 600mm f/4L from BorrowLenses.  When I travel to Africa for three weeks this October, I’m doing just that!

Bodies

No surprise here – I shoot with a Canon 5D Mark II and a Canon 7D.  The 5D Mark II is a super landscaper’s camera, great performance, high pixel count, HD movies, and more.   When I need a faster frame rate and a bit faster AF, I reach for the 7D.

Funny, I used to be a 1Ds Mark III snob… but I cannot for the life of me figure out why one would buy that camera body at nearly 3x the cost of a 5D Mark II.  Sure, I’m awaiting the rumored 1Ds Mark IV like most Canon shooters, but the sane part of me says, “why”?

(Those of you that know me are probably laughing right about now!)

Filters

Guess what?  I own only two, a circular polarizer and a neutral density filter.  I use the CPL when I want to get the best sky possible 90 degrees or so from the sun.  I will also use it in certain circumstances like fall foliage to get richer colors, and of course to lose reflections when shooting water.   I love my 6-stop ND filter, to smooth out the water in a waterfall or running stream in daylight.

Miscellany

On my 5DII and 7D bodies, I add a Camdapter Hand Strap – super comfortable! I always carry my Infrared-converted Canon SD-980IS, camera manuals (you never know!), extra batteries, an intervalometer for timed exposures, a remote shutter release, headlamp, flashlight, shooting gloves for the cold weather, plenty of CF cards, lens cloth, lens cleaner, a mink brush, Giottos mini-Blower,  The Photographer’s Rights, my business cards and a leatherman for when things go wrong.

Everything Else

After I shoot there’s plenty to do!   I use Adobe’s Lightroom 3 (and SmugMug’s awesome built-in uploading), Photoshop CS5, Auto Pano Pro for my stitches, all on an Apple Mac Pro with two 30″ HP Monitors.

Win This MetalPrint

It’s not all work, and no play though. Now that you’ve gotten a close look at my gear bag, here’s your chance to take home something fun (note: Ts and Cs here). Comment on our blog post below and “Like” us on Facebook. One winner will be randomly selected on Monday, April 18 at Noon PDT to win a big and beautiful MetalPrint of this Mono Lake Tufa photo. You can see how it will look on your wall here.

Enjoy (looking into other photographers’ bags) photography,
- Andy

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UPDATE! We were totally blown away by the response to this giveaway, so we are sharing the love and randomly selecting THREE Winners!

First place, and the winner of the MetalPrint, goes to Darlene Buck. The two Runner Ups, and the winners of a free year of SmugMug Pro each, are Jordan Van de Vorst and Jenny Sipes. Congrats!! Katherine from our team will be emailing you each shortly with details of your prize.

Thanks to everyone who participated. There is a lot more goodness where this came from, so keep yer eyes on this blog, Facebook, and Twitter for many more giveaways to come.

Categories: photography, Andy Williams
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